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Take your productivity to the next level and make the most of your time!

Do you have too much to do and not enough time to do it? Don't we all! Productivity For Dummies shows you how to overcome this common problem by tackling key issues that are preventing you from remaining focused and making the most of your time. This insightful text gets to the root of the problem, and shows you how to identify and analyse the items on your to-do list to deliver on deadlines and maximise your schedule. Numerous techniques and technologies have been developed to address productivity needs, and this resource shows you which will work for your situation.

Productivity is crucial to your success - whether you want to find a new job, earn a promotion you've had your eye on, or generally progress in your career, understanding how to improve your productivity is essential in increasing the value you bring to your organisation. At the very least, increased productivity means that you get things done faster—which translates into fewer overtime hours and more time concentrating on the things that are most important to you.

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• Sales Rank: #1462093 in Books
• Published on: 2016-03-21
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .80" w x 7.40" l, 1.73 pounds
• Binding: Paperback
• 352 pages

From the Back Cover

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Do your productivity levels decrease day by day? Fear not! Productivity For Dummies is the definitive guide to taking your productivity to the next level. You'll find out how to beat procrastination, make the most of your daily schedule, and which techniques and technologies can help you become a master of productivity.

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About the Author

Ciara Conlon is a productivity coach, keynote speaker and author. She helps organisations get better results by establishing space for more creativity and innovation. She helps people get better results by adopting effective habits and focusing on the right stuff at the right time.

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• Sales Rank: #7122917 in Books
• Published on: 2000-10-31
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.13" w x 7.01" l, 2.73 pounds
• Binding: Hardcover
• 524 pages

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[R741.Ebook] Ebook Download Mortals and Others (Routledge Classics), by Bertrand Russell

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Between 1931 and 1935, Bertrand Russell contributed some 156 essays to the literary pages of the American newspaper New York American. These were often fun, humorous observations on the very real issues of the day, such as the Depression, the rise of Nazism and Prohibition, to more perennial themes such as love, parenthood, education and friendship. Available for the first time in the Routledge Classics series in a single volume, this pithy, provocative and often-personal collection of essays brings together the very best of Russell’s many contributions to the New York American, and proves just as engaging for today’s readers as they were in the 1930s.

• Sales Rank: #1184086 in eBooks
• Published on: 2009-03-04
• Released on: 2009-03-04
• Format: Kindle eBook

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1 of 1 people found the following review helpful.
Witty, but very serious and still highly relevant
By Luc REYNAERT
The short comments in this bundle show vividly B. Russell's biting and sarcastic style as well as his in depth views on the real nature of man, on power, politics, economics, democracy, education and philosophy.

The haves and have-nots
The aristocracy, which held all political power from 1688 to 1832, spent the last half of that period in making laws which reduced wage earners to the most abject poverty. Grain was taxed so heavily that bread was at famine prices and vast numbers of the poor died of hunger.
It became known that little children worked fifteen hours a day, that they had to be beaten with iron rods to keep them awake and that nevertheless they sometimes fell asleep and were mangled by rolling into the machines.

Power, democracy and justice
The monarchs of our world are the governors of the central banks. These men decide our fate. The great magnates exercise power through political corruption and control of the press. Democracy is desirable because any section of mankind which has a monopoly of power is sure to invent theories designed to prove that the rest of mankind had better to do without the good things of life. But, political democracy is little better than a sham unless it is accompanied by economic and educational democracy. Overall justice requires distribution of power.

International politics and war
In relation between different States, we still have the conditions of universal brigandage.
The ordinary man and woman will be induced to die in war for a `noble' cause, while really dying to make rich and powerful men richer and more powerful.

Economics (Keynesianism)
Public expenditure may be profitable to the community. At a time of wide-spread unemployment many men receive wages which they spend, thereby increasing demand. Also, an atmosphere of hopefulness can be created.

Education
In schools and universities no one is taught to reason, since the result would be to undermine the beliefs upon which the government is based. If these beliefs were to fade, mankind might escape disaster, but politicians could not. At all costs, we must be kept stupid.

Philosophy (essence)
The Benthamites taught that the purpose of action should be should be the greatest happiness of the greatest number. They are in the right.

Mankind, ethics, visionary insights
Human nature unrestrained by law is violent and cruel. All ethical systems, in the last analysis, depend upon weapons of war.
Insanity consists in making openly those claims which people repress from consciousness. Sanity is not the natural condition of the human mind, but a product of social life.
A man's life, like his property, ought to be legally his, and if he chooses to throw it away, he should be allowed to do so.
Most people would die sooner thank think, in fact they do.
Human beings in their rage against each other will invoke the aid of insects and microorganisms (B-weapons).

Those brilliantly written comments are an excellent introduction to B. Russell's main work. They are in depth reflection of a superb, totally independent, open and free mind. He reveals in a nutshell the real, formidably selfish, `sinister' interests behind the rhetoric of those in power. Many `great' names in political, historical, social, religious or economic research, don't (want to) even arrive at these insights (or continue to hide them) after thousands of pages.
A must read.

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"A singular astonishment." ―John Lahr, The New Yorker

One relationship. Infinite possibilities.
In the beginning Marianne and Roland meet at a party. They go for a drink, or perhaps they don't. They fall madly in love and start dating, but eventually they break up. After a chance encounter in a supermarket they get back together, or maybe they run into each other and Marianne reveals that she's now engaged to someone else and that's that. Or perhaps Roland is engaged. Maybe they get married, or maybe their time together will be tragically short.
Nick Payne's Constellations is a play about free will and friendship; it's also about quantum multiverse theory, love, and honey.

• Sales Rank: #28366 in Books
• Published on: 2014-12-16
• Released on: 2014-12-16
• Original language: English
• Number of items: 1
• Dimensions: 8.18" h x .29" w x 5.53" l, 1.00 pounds
• Binding: Paperback
• 96 pages

Review

“Who knew that higher physics could be so sexy, so accessible--and so emotionally devastating? Constellations, Nick Payne's gorgeous two-character drama, starring a perfectly matched Jake Gyllenhaal and Ruth Wilson, may be the most sophisticated date play Broadway has seen.” ―Ben Brantley, The New York Times

“The play may fixate on physics, but the chemistry between the two leads is potent enough to move an audience to tears.” ―Alexis Soloski, The Guardian

“The pleasure of the evening lies in the way it is both eminently sensible and completely nonsensical. Details accumulate sufficiently to explain character and plot, while throwing us so off-guard as to make questions of narrative moot . . . Wilson and Gyllenhaal are tasked with showing us how the slightest shift in emphasis can alter a line's meaning. Wilson has the more commanding stage technique while the approach of Gyllenhaal is more halting and affectionate. Their chemistry is palpable.” ―Brendan Lemon, Financial Times

“Short and sweet and strangely haunting . . . Although barely an hour long, this baby bombshell by hot Brit scribe Nick Payne overflows with emotional highs and lows . . . By the end of the play (has it really been only an hour?), we're fully invested in [the characters'] lives. All of them.” ―Marilyn Stasio, Variety

“Rarely has quantum physics felt as romantic, as lively as it does in Broadway's Constellations.” ―Elisabeth Vincentelli, New York Post

“British playwright Nick Payne's beguiling Constellations is not only a full-bodied narrative, it's a richly affecting experience. That's thanks to the sensitivity of the writing, but also to the warmth, humor and vitality invested in it by Jake Gyllenhaal and Ruth Wilson, giving two astonishing performances in a production from Michael Longhurst that's as rigorous as it is tender.” ―David Rooney, The Hollywood Reporter

“We've been down similar roads before in pop culture, with Groundhog Day being the classic version. But Payne puts his own stamp on the idea -- and director Michael Longhurst's staging touches both the head and the heart deeply. Even Tom Scutt's lovely set, a bare stage below and beside a huge collection of inflated white balloons, packs a poetic touch. And the cast is swoon-worthy. Gyllenhaal is laid-back and ever-genuine as the passive Roland. Wilson, a two-time Olivier Award winner, is sensual and irresistibly carefree -- a perfect foil. Together, they have something elusive: combustible chemistry. Heavenly sparks ensue.” ―Joe Dziemianowicz, New York Daily News

“Constellations is smart but not dry; its focus is on the personal and emotional, and Gyllenhaal and Wilson reboot themselves convincingly at every stutter and turn. They're wonderfully multiversatile.” ―Adam Feldman, Time Out New York

“Despite abrupt scene and mood fluctuations, Gyllenhaal and Wilson perform the tricky repetitions and time shifts with breathtaking smoothness. Wilson expressively signals Marianne's emotions, whether glee or mischief or heartbreaking vulnerability. Gyllenhaal's performance is more opaque, yet he infuses Roland with decency and an earnest desire to communicate with the better-educated, more emotional Marianne.” ―Jennifer Farrar, Associated Press

“Intimate and cosmic concerns are woven together with such grace that they seem inextricable.” ―Elysa Gardner, USA Today

“The actors give true tour-de-force performances ... Wilson, a two-time Olivier award-winner honored on Sunday as best actress in a TV series, duels and parries with her partner to memorable effect, whether she's a sloppily emotional figure out on a first date, or an academic methodically enchanted by the mysteries of the universe.” ―Robert Kahn, NBC

“[Nick Payne is] one of the most dazzlingly gifted dramatists of a new generation--sharp, funny, wise, humane.” ―Vogue

“The nearest I've come across in ages to a play that feels heaven-sent.” ―Matt Wolf, The New York Times

“Constellations gets into your head and under your skin with an immediacy that sometimes tickles and often hurts.” ―Ben Brantley, The New York Times

“Spry, funny and ultimately very moving . . . A touchingly original study of a relationship and a meditation on that all too familiar refrain: ‘if only.'” ―Sarah Hemming, Financial Times

“Wondrously supple . . . The trick the playwright pulls off is to bring a feather-light touch to weighty themes.” ―Maxie Szalwinska, The Sunday Times

“Beautiful and brilliant . . . Seldom has a play felt so exhilarating.” ―Georgina Brown, Mail on Sunday

“The phrase ‘emotionally satisfying' is rarely seen alongside that of ‘experimental drama'--which makes Nick Payne's arresting, intelligent new play Constellations all the more exciting.” ―David Benedict, Variety

“I do know the real thing when I see it. And Nick Payne, a playwright previously unknown to me, is at the beginning of a great career.” ―John Lahr, The New Yorker

“Payne is undoubtedly one of the brightest sparks in our playwriting landscape.” ―Fiona Mountford, London Evening Standard

“I know it's only January, but if I see a more ingenious, touching and intellectually searching play than Constellations this year, I will count myself very lucky.” ―Charles Spencer, The Daily Telegraph

“Not since Mike Bartlett's Cock, so to speak, have I been so exhilarated by a new play . . . Extraordinary.” ―Paul Taylor, The Independent

About the Author

Nick Payne is the author of the plays If There Is I Haven't Found It Yet, which won the London Evening Standard Theatre Award for best play; Wanderlust; One Day When We Were Young; and Lay Down Your Cross, among others. He is the winner of the 2009 George Devine Award for Most Promising Playwright and the 2012 Harold Pinter Playwright's Award. He is currently under commission with the Royal Court Theatre, the Donmare Warehouse, and the Manhattan Theatre Club. He was born in 1984 and lives in Norwich, England.

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13 of 13 people found the following review helpful.
Where do we go from here?
By MantaGalaxy
This play truly was something special. If you've ever read or seen "Sure Thing" by David Ives, this runs right down a similar path. However, this is a full-length play... at least it's longer than "Sure Thing." It is grounded in reality which allows each individual scenario to be believable in its own right.

I laughed out loud and I felt my heartstrings being plucked by cruel realities and unfortunate timing.

*MINOR SPOILER**

While this is a celebration of the idea of alternate realities, it deals with the idea that we as humans actually do not have any control over the big picture. Everything will always fall as it always was going to fall. The constellations in the sky are always the same. You can't change the destination, so why not change the journey? Decide what you can, and let fate decide the rest.

4 of 4 people found the following review helpful.
Soon to be in every Theatre in America
By Patrick Cronin
Saw this a few weeks ago with Jake Gyllenhall and Ruth Wilson and just loved it! It is David Ives' All in the Timing with a British accent. It is funny; it is sad; it is imaginative. It is all of the things most new plays aren't. As with Logan's Red this play will be done all over America and at 70 minutes long with only two actors it is going to be a young actors' dream roll. Buy it and enjoy the wonderful twists of language. You will not be disappointed.

4 of 4 people found the following review helpful.
Better on stage than on paper
By JW
A key element of this play is that some lines are repeated in different circumstances, with different tones and emphases--thus, would read this script only if you're an actor, otherwise would recommend watching it live.

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Handel, Bach, Mozart, Beethoven, Mendelssohn, Brahms, Dvorak, Stravinsky, Messiaen . . . Men of genius as different as their music - but all inspired by deep spiritual convictions. Peter Kavanaugh uncovers the spirituality of twenty of music's timeless giants, revealing legacies of the soul as diverse as the masterpieces they created. Warmly written, beautifully illustrated, and complete with listening recommendations for each composer, Spiritual Lives of the Great Composers is a fascinating look at the inner flame that lit the works of these masters.

• Sales Rank: #444573 in Books
• Brand: HarperCollins Christian Pub.
• Published on: 1996-04-01
• Released on: 1996-03-19
• Original language: English
• Number of items: 1
• Dimensions: 7.99" h x .63" w x 5.24" l, .45 pounds
• Binding: Paperback
• 256 pages

From the Back Cover
Handel, Bach, Mozart, Beethoven, Mendelssohn, Brahms, Dvorak, Stravinsky, Messiaen . . . Men of genius as different as their music - but all inspired by deep spiritual convictions. Peter Kavanaugh uncovers the spirituality of twenty of music's timeless giants, revealing legacies of the soul as diverse as the masterpieces they created. Warmly written, beautifully illustrated, and complete with listening recommendations for each composer, Spiritual Lives of the Great Composers is a fascinating look at the inner flame that lit the works of these masters.

About the Author

Patrick Kavanaugh, executive director of the Christian Performing Artists' Fellowship, holds a doctorate in music composition. A conductor and performer, he is the author of Spiritual Moments with the Great Composers, Spiritual Lives of the Great Composers, and Raising Musical Kids.

Excerpt. © Reprinted by permission. All rights reserved.
Johann Sebastian BACH 1685–1750

Through the autumn countryside of Germany, a young man of twenty walks briskly, soaking up the faded October sun and crunching fallen leaves underfoot. It is 1705, and the young man is on his way from Arnstadt to Lubeck—a two-hundred mile trek. The miles pass quickly as he anticipates the music he is determined to hear. One of the great organists of his day, Dietrich Buxtehude, will be performing evening musical devotions at the Cathedral this time of year, in preparation for Advent.

Traveling on foot to hear concerts was nothing new to this young organist; many times he had tramped thirty miles to Hamburg to hear the renowned organist Reincken and had even walked sixty miles to Celle to attend programs of French music. But to hear Buxtehude! For this opportunity, he needed at least a month’s leave of absence from his position as a church organist. His superiors had grudgingly consented after the organist entreated them relentlessly for the necessary leave.

Arriving at Lubeck, footsore yet charged with excitement, the young musician drinks in the organ concerts of the master with a profound sense of personal inspiration. He sends word back to his employer at Arnstadt that he needs two months off instead of just one, knowing he risks being fired.

Three years after this experience, he announces his ultimate purpose in life: to create "well-regulated church music to the glory of God." With an insatiable appetite to learn and a propensity for ceaseless work, he set about doing just that. His name was Johann Sebastian Bach. Throughout history, Bach has been acclaimed as the Christian composer, almost a kind of "patron saint" for church musicians. All around the world, he is recognized as one of the greatest composers in history. This is not to say there were no great spiritual composers before Bach; he actually represents the culmination of centuries of Christian music.

The sheer number of works he composed is staggering, however, and so is their diversity. They include chorales, cantatas, masses, oratorios, passions, concerti, and solo works for virtually every instrument of his day. Bach was prolific in other areas of life as well: He worked in a variety of demanding jobs (often with many extra-musical duties), and fathered twenty children, several of whom also matured into noted musicians.

When Johann Sebastian was born in 1685 in Eisenach, Germany, the Bach name was already synonymous with the musical trade. More than fifty musicians bearing that name are remembered by musicologists today. Even as a boy, Bach appeared eager to find expression for his emerging musical talent.

Orphaned at the age of nine, Johann moved in with an older brother, and his musical training began. He soon developed into an outstanding singer and demonstrated a remarkable ability to play the organ, the violin, and numerous other instruments. Bach’s brother owned a set of compositions, which he forbade the younger Bach to use. Perhaps because it was placed off-limits, that musical manuscript grew irresistibly attractive to the young musician.

And so for weeks, Bach stole the precious pages and hid them in his room, where he stayed up late night after night copying the musical scores by moonlight. When his brother discovered the copied pages, he angrily confiscated them. But Bach had already gleaned valuable lessons in composition, as well as discipline and devotion to music, from the clandestine exercise.

Throughout his life he was known much more as an organist than as a composer. Amazing to us, only ten of Bach’s original compositions were published during his lifetime. It was not until the nineteenth century that his brilliance as a composer was truly appreciated. Only then would he be revered by such masters as Beethoven, who claimed, "His name ought not to be Bach [Bach is the German word for brook], but ocean, because of his infinite and inexhaustible wealth of combinations and harmonies."

Like so many other masters throughout history, Bach’s personality had many facets. On one hand, he was free from personal vanity and generous and encouraging toward his many pupils. The Bach family also had a great reputation for their hospitality. His first biographer, Forkel, notes, "These sociable virtues, together with his great artistic fame, caused his house to be rarely free from visitors."

Once, when an acquaintance praised Bach’s wonderful skill as an organist, he replied with characteristic humility and wit, "There is nothing very wonderful about it. You have only to hit the right notes at the right moment and the instrument does the rest."

Yet he could be stubborn and irritable, especially with an unappreciative employer or an incompetent musician. At the age of twenty, Bach ridiculed a colleague by calling him "Kippelfagottist"—a "nanny-goat bassoonist." The offended musician picked up a stick and struck Bach, who drew his sword. A full-blown duel would have ensued, but fortunately, friends who saw the argument intensify threw themselves between the two adversaries to keep them apart.

Bach spent his entire life in Germany, working primarily as a church musician. For the two centuries prior, this region had been permeated by the legacy of Martin Luther, with his radical emphasis on a living, personal, Bible-based Christianity. Luther himself had been a musician, declaring music to be second only to the Gospel itself. Bach was to be the reformer’s greatest musical disciple.

Bach resoundingly echoed the convictions of Luther, claiming that "Music’s only purpose should be for the glory of God and the recreation of the human spirit." As he set about composing, he would frequently initial his blank manuscript pages with the marking, "J. J." (Jesu Juva—"Help me, Jesus"), or "I. N. J." (In Nomine Jesu—"In the name of Jesus"). At the manuscript’s end, Bach routinely initialed the letters "S. D. G." (Soli Deo Gloria—"To God alone, the glory"). To Bach, these were not trite religious slogans but sincere expressions of personal devotion.

Most helpful customer reviews

2 of 2 people found the following review helpful.
A great book!
By Brandon Matuja
I believe that this book is an important read, because I think it's definitely in the interests of too many classical-music reviewers to more or less downplay or disregard the personal faith of so many of the classical masters. Although this book isn't exhaustive either in its information or its selection of composers documented -- which the author himself acknowledges -- and would've been better if it were longer, perhaps, yet it is still a highly recommended read.

The information is well-documented and referenced; and it was a joy, a delight, and confirmation to me, as a Christian, to read about the personal, well-documented expressions of faith from some of classical music's most talented artists, including Bach, Handel, Mozart, Beethoven, and others less popular.

Thanks Mr. Kavanaugh, for the research and writing -- and why don't you release more of your own music for us classical-music fans to check out? :-)

0 of 0 people found the following review helpful.
WHAT THE SPIRITUAL LIVES OF THE GREAT COMPOSERS MEANT TO ME.
By Elayne Morgan
This is a wonderful look into composer's such as Bach, Beethoven, Mozart and many others about their spiritual lives. The book is well written and great research has been done on each composer. I would recommend this book to anyone who likes music, especially the classical composers. What I liked about this book was how personal the stories were about each composer. I felt like I knew them well after reading this book.

1 of 1 people found the following review helpful.
Thi book is amazing
By orlando rafael alvarado
If you are , musician , this book will inspire you, if you are a worshiper or band leader for church, it would be a treasure, no matter denomination , this is all about God , and how the greaters undertanded it. F you wanna learn something about God and the real music and wanna meditate about it to do your best , just get this book , and keep with you to be inspire .

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• Sales Rank: #23918 in Books
• Published on: 2015-02-03
• Original language: English
• Number of items: 1
• Dimensions: 1.90" h x 7.00" w x 10.10" l, .0 pounds
• Binding: Paperback
• 864 pages

About the Author
Palmiter is Professor of Law at the Wake Forest University.

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Gloria Larson learns of her mother’s murder, and the list of suspects grows by the minute. When she meets new family members, trust issues come into play. Fortunately, she still has her Thorns, but a handful of old women can only do so much against flames in Rosewood. However when it comes to raging fires—one should never underestimate strong-willed women.

• Sales Rank: #236569 in eBooks
• Published on: 2015-07-17
• Released on: 2015-07-17
• Format: Kindle eBook

About the Author
Gina M. Barlean is a Nebraska author writing mystery and suspense with a midwestern voice. Her characters are realistic and believable. They could be anyone the reader might know. She is an independent author and has her own publishing imprint called, Less Traveled Roads Publishing. Barlean also hosts a weekly blog featuring Indie author’s Book Trailers.

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4 of 4 people found the following review helpful.
Great action-packed mystery with superb characters!
By C.Stastny Books
This suspenseful mystery sucked me right in. Gloria is an amazing character that I grew to love in Book 1, and I loved her even more in this one. She’s strong, feisty, curious, and honest. There’s even a hint of romance in this story that made me cheer…just a hint, but it added to the story a lot. This book deals with Naomi’s death (the wicked witch of the west who happens to be Gloria’s birth mom and is ultra-evil woman—even as an old lady). She’s murdered, but you don’t know who dun it because there are so many possibilities of people who despised her. This book has lots of surprises and lots of action. Gina Barlean’s writing style is amazingly witty and sharp. I love the stories that come out of her head. This book could be read as a stand-alone, but do yourself a favor and read Thorns of Rosewood first. You’ll get so much more backstory of characters that will enhance this story for your reading pleasure if you do. The characters are some of my favorite things about Barlean’s books. They are as rich and decadent as hot fudge brownies with chocolate chips in them. Yum! Hopefully, Barlean writes another book soon to fill my hunger…or I could get off the couch and make my own dessert. But what’s the fun in that? Besides, books have way less calories in them.

1 of 1 people found the following review helpful.
Great Suspense
By Ruth
This was another great read by GM Barlean! When Gloria learns her mother was murdered, she's instantly put into danger. Her mother was not a likable person at all, so the list of people who wanted to kill her was long, which makes this one of those, "Who really did it?" books. Not only was the mother unlikable, but she also had a lot of money and jewels hidden in her basement. So the reason for the murder is also in question. But Gloria is placed right in the middle of the whole thing, and worse, she ends up being kidnapped. If someone doesn't come to her rescue, she might not make it, and the true killer might not be caught.

If you enjoy a suspense that takes on some surprising twists, I'd recommend this book. GM does a good job of grabbing a reader's attention and making them figure out what happened. It's something I have enjoyed about her past books and why I keep reading them.

*I am a friend of the author's and have been in the same writing group as her.

1 of 1 people found the following review helpful.
Another winner!
By Somersales
After reading the first book, Thorns of Rosewood, there was no way I was not going to read this second book. The first was amazing in its perfect characterizations, and this sequel was also very good. However, like most sequels, it was good but I still love the first book the best. Gloria Larson is a wonderful heroine, and I enjoyed reading her emotions concerning her family. I also enjoy the Thorns and would love to read more about them individually. I will warn every reader...when you start this authors books, you can't put them down until you've finished...great job.

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In praise of Charlie D. "Falloon's eloquent explication of the life of the legendary Charlie D delivers a good read while exposing that most under-publicized commodity of them all-a mega-trader with a low public profile whose superhuman trading abilities were exceeded by only one thing-the extended reach of his heart and soul." -Patrick H. Arbor Chairman, Chicago Board of Trade "Charlie D. is a tribute to the entrepreneurial spirit of Charlie D, whose legend still lives today on our trading floors. It also captures the essence of the men and women of Chicago who, working in a unique environment, through their trading provide economic benefits around the world." -Thomas R. Donovan President and Chief Executive Officer Chicago Board of Trade "Charlie D was unique-a poker-faced, unemotional, swashbuckling trader every other trader seeks to emulate. At the same time, he was also a model of trading integrity and one of the most generous people I have ever known. Whether trading or gambling, vacationing with family or go lfing with superstars, he did everything with a special flair and spirit. Charlie was truly larger than life." -Thomas DeMark Author of The New Science of Technical Analysis and New Market Timing Techniques "Falloon captures the essence of the Charlie D I knew and rekindles my memories of a larger-than-life individual-how he laughed in the face of cancer, his generosity, and his sense of humor." -Mike Manning Rand Financial Services, Inc. "Charlie D was the most dynamic trader I've ever seen in my nineteen years in this business, and, beyond that, the best human being I've known." -Tom Fitzgerald TPF Trading

• Sales Rank: #824449 in Books
• Color: Black
• Published on: 1997-11-03
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x .90" w x 6.40" l, 1.03 pounds
• Binding: Hardcover
• 248 pages

From the Publisher
Charles DiFrancesca, or "Charlie D" as he was known throughout the financial world, was perhaps the greatest trader of his time. What Warren Buffett is to stocks and George Soros to hedge funds, Charlie D was to treasury bonds. Now in this book eagerly awaited by investment professionals from New York to Tokyo, financial reporter William Falloon chronicles the life, achievements and strategies of this elusive figure who was as renowned for his extraordinary generosity as for his financial genius.

From the Inside Flap
Like a modern day Colossus, his larger-than-life presence loomed over the top step of the Treasury bond pit at the Chicago Board of Trade (CBOT). His unchallenged prowess in the pit earned him much more than financial rewards, for to see him in action was to witness a virtuoso working at the top of his form. In recognition, his admiring peers and colleagues affectionately dubbed him the "Sultan of Scalp," after another legendary powerhouse, Babe Ruth. Who was this extraordinary man? Charles P. DiFrancesca, or as he was known throughout the financial world, Charlie D, the greatest trader of his time. Like Buffett is to the stock market, and Soros to the daring alchemy of hedge funds, Charlie D is to the world's largest futures trading pit in U.S. Treasury bonds. Yet, for all his phenomenal success, Charlie D never once granted an interview. He never revealed his trading secrets to any but a few close friends. Now, in this unprecedented and eagerly awaited biography, financial reporter William Falloon chronicles the remarkable life, achievements, and strategies of this elusive, enigmatic, and fascinating figure. A natural born risk-taker, Charlie D approached trading as the ultimate sport. His daily trading positions were often larger than those of the banks and corporations which traded against him. His flare for life dazzled those around him, whether battling volatile market swings in the bond pit, tossing the dice at the craps table in Las Vegas, relentlessly pursuing the perfect golf swing, or playing one of his notorious practical jokes. Beneath the flamboyance, however, there was a quieter, less assuming side to Charlie D, a salt-of-the-earth midwesterner in striking contrast to the popular media image of greedy market inhabitants. Charlie D was a world-class philanthropist. From cab drivers to valet attendants, from washed-out traders to close friends and family, from former high school football coaches to leading medical researchers, he gave and gave and gave. Perhaps the ultimate legacy of Charlie D will be his ferocious tenacity in the face of personal tragedy. When an aggressive lymphoma attacked his system-and his brother and mother were also diagnosed with cancer-Charlie D grew more determined than ever to live life to the fullest. His outlook never changed. Returning to the CBOT's bond pit between chemotherapy and radiation treatments, he donned a protective vest beneath his jacket and resumed his position on the top step, where he remained until two weeks before his death on May 23, 1991. Told with a style and flair equal to its unique subject, Charlie D. unfolds like a great detective story with the author in hot pursuit of his reluctant quarry. Deftly interweaving intimate, personal detail with technical explanation, William Falloon paints a richly detailed, compelling portrait of Charles DiFrancesca, the man behind the myth of Charlie D. What emerges from this expansive biography is a penetrating exploration of the psychology of success.

From the Back Cover
In praise of Charlie D. "Falloon’s eloquent explication of the life of the legendary Charlie D delivers a good read while exposing that most under-publicized commodity of them all—a mega-trader with a low public profile whose superhuman trading abilities were exceeded by only one thing—the extended reach of his heart and soul." —Patrick H. Arbor Chairman, Chicago Board of Trade "Charlie D. is a tribute to the entrepreneurial spirit of Charlie D, whose legend still lives today on our trading floors. It also captures the essence of the men and women of Chicago who, working in a unique environment, through their trading provide economic benefits around the world." —Thomas R. Donovan President and Chief Executive Officer Chicago Board of Trade "Charlie D was unique—a poker-faced, unemotional, swashbuckling trader every other trader seeks to emulate. At the same time, he was also a model of trading integrity and one of the most generous people I have ever known. Whether trading or gambling, vacationing with family or golfing with superstars, he did everything with a special flair and spirit. Charlie was truly larger than life." —Thomas DeMark Author of The New Science of Technical Analysis and New Market Timing Techniques "Falloon captures the essence of the Charlie D I knew and rekindles my memories of a larger-than-life individual—how he laughed in the face of cancer, his generosity, and his sense of humor." —Mike Manning Rand Financial Services, Inc. "Charlie D was the most dynamic trader I’ve ever seen in my nineteen years in this business, and, beyond that, the best human being I’ve known." —Tom Fitzgerald TPF Trading

Most helpful customer reviews

16 of 16 people found the following review helpful.
A passionate display, but a little colored
By A Customer
When this book first came out, I was a bit skeptical. It is not often that a man that you have never met decides to honor your own father, but chooses not to speak to you about him. I grew up with Charles DiFrancesca. He was my father, my best friend, and a true mentor. The stories in this book, however lavish they might seem, are true, but I cannot begin to express how much was left unsaid.

7 of 7 people found the following review helpful.
Good story but the writer could have done better
By Rick Spell
Charlie D was clearly a great guy. Reading of his struggle with cancer and how he dealt with it was the most inspiring part. Also the testimonial from his former girlfriend was enjoyable. Unfortunately, the writer was very jumpy and didn't consistently tell the story. The parts on trading were particularly boring and not helpful. I did enjoy the book based on the personality of Charlie D which comes thru along with the anecdotal stories. Be prepared to skim the slow parts.

5 of 5 people found the following review helpful.
Unusual, special book
By J. Hoenig
I think the this book has been totally misunderstood by most people, because while it is about trading, it is not a trading book like Borcillino's book or "pit bull." It is a beautiful story about a man who overcame great odds...it just so happens to take place on the trading floor, which makes for great drama for finance and non-finance types alike

See all 17 customer reviews...

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