Senin, 30 Mei 2011

[H703.Ebook] Free Ebook AM GOV 2015-2016, by Joseph Losco, Ralph Baker

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AM GOV 2015-2016, by Joseph Losco, Ralph Baker

Using examples and stories straight from students’ themselves, AM GOV helps students develop a deep understanding of their role in the American democracy. AM GOV engages students in the American government course with a unique adaptive learning experience that brings the concepts to life and highlights the importance of informed citizenry.

  • Sales Rank: #43510 in Books
  • Published on: 2014-12-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .60" w x 8.40" l, 1.94 pounds
  • Binding: Paperback
  • 512 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
It's okay
By Amazon Customer
American Government is pretty interesting. Surely a textbook company could find a writer who could do a better job. I've see worse, but for an updated text it could've been better.

1 of 2 people found the following review helpful.
Five Stars
By Blake Labriola
This is a great textbook about our country's government! Every american gov. class should use this book.

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Five Stars
By tree
exactly as advertised.

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Selasa, 24 Mei 2011

[R445.Ebook] Get Free Ebook Electric Salome: Loie Fuller's Performance of Modernism, by Rhonda K. Garelick

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Electric Salome: Loie Fuller's Performance of Modernism, by Rhonda K. Garelick


Loie Fuller was the most famous American in Europe throughout the late nineteenth and early twentieth centuries. Rising from a small-time vaudeville career in the States, she attained international celebrity as a dancer, inventor, impresario, and one of the first women filmmakers in the world. Fuller befriended royalty and inspired artists such as Mallarmé, Toulouse-Lautrec, Rodin, Sarah Bernhardt, and Isadora Duncan. Today, though, she is remembered mainly as an untutored "pioneer" of modern dance and stage technology, the "electricity fairy" who created a sensation onstage whirling under colored spotlights. But in Rhonda Garelick's Electric Salome, Fuller finally receives her due as a major artist whose work helped lay a foundation for all modernist performance to come. The book demonstrates that Fuller was not a mere entertainer or precursor, but an artist of great psychological, emotional, and sexual expressiveness whose work illuminates the centrality of dance to modernism.



Electric Salome places Fuller in the context of classical and modern ballet, Art Nouveau, Orientalism, surrealism, the birth of cinema, American modern dance, and European drama. It offers detailed close readings of texts and performances, situated within broader historical, cultural, and theoretical frameworks. Accessibly written, the book also recounts the human story of how an obscure, uneducated woman from the dustbowl of the American Midwest moved to Paris, became a star, and lived openly for decades as a lesbian.


  • Sales Rank: #428697 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2007-08-19
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 6.66" w x 9.42" l,
  • Binding: Hardcover
  • 288 pages
Features
  • Used Book in Good Condition

Review
"Garelick's lucid, engrossing study . . . unwraps the contradictions that have kept Fuller as veiled from modern audiences as she was from those at the Folies-Bergere."--Andrea Walker, Times Literary Supplement



"A most welcome 'finding' of a dancer never lost, Electric Salome offers a remarkably smart reading of Fuller's contribution to dance history, one that makes clear the importance of that contribution to modernism broadly construed."--Catherine Gunther Kodat, Modernism Modernity



"In her mesmerizing dances, swirling huge skirts under colored lights of her own design, Fuller paved the way for new visual effects in theater. [I]n Electric Salome Rhonda Garelick attempts to reposition Fuller as a central player in the multiple histories of ballet, modern dance, theater, visual art and postmodern performance. The best part of Electric Salome is how Garelick puts Fuller's story into a context that we can appreciate."--Matthew Hunter Griffin, Time Out Chicago



"Rhonda Garelick's Electric Salome...argues for Fuller's relevance beyond her status as modern dance 'pioneer' and traces the way in which her work was modernist in its own right. Garelick's book spirals out, teasing out connections with Fuller to broader movements of colonialism, as well as Romantic Ballet and Modernist Drama. [Electric Salome offers] significant advances to Loie Fuller scholarship [and argues] persuasively for the importance of Fuller's legacy."--Judy Sperling, Dance Films Association Review



"This indispensable book benefits from Garelick's lucid prose, superb images, and insightful footnotes."--S.R. Irelan, Choice



"Electric Salome is suitable for a wide range of readership. . . . Garelick writes theory with the minimum of jargon; the book is academic and sophisticated, but accessible throughout. It contains almost fifty illustrations, including posters, photographs and patent drawings."--Stephen Herbert, Early Popular Visual Culture



"One of the best aspects of Rhonda K. Garelick's book is that it enables a virtual re-enactment of Fuller's performance of modernity: in the end, the initial butterfly/illusion shimmers and stays for good in the reader's mind."--Virginie Pouzet-Duzer, Oscholars



"Both Ann Cooper Albright's and Rhonda Garelick's books are important contributions to a female artist, whose place on the agenda of French modernism is now less refutable than ever. Both authors have done much to shed further light on the sometimes counter intuitive complexity of this modernism. While both Traces of Light and Electric Salome deserve to be considered in their own right, they open an even more fascinating kaleidoscopic panorama when read in tandem."--Lucia Ruprecht, H-France



"This well-illustrated and probing book is an important contribution to the scholarship on Loie Fuller and, with its contemporary resonances, should prove of interest to practitioners and academics in the fields of live-art and site-specific performance as well as dance."--Libby Worth, Modern Drama



"Fuller's work demands that its scholars cover a lot of ground, and I was delighted to learn so much from Garelick's study about a widely ignored pioneer of avant-garde and modernist theatre performance and dance."--Mike Sell, Theatre Research International



"[T]he book's greatest appeal may lie in its evocation of Fuller's technical inventiveness, her altogether startling genius for making the space of theater new."--Douglas Mao, Common Knowledge

From the Back Cover

"In Electric Salome, Rhonda Garelick persuasively makes the case that Loie Fuller was central to the transition to modernism in politics, theater, modern dance, and neoclassical ballet. In elegant, often witty, always evocative prose, Garelick shows that Fuller's relative obscurity is the consequence not of her lack of originality, but of a role so strange and so individual that it has resisted the fluid narratives of social and artistic history. This brilliant book will correct those impoverished records."--Andrew Solomon, winner of the National Book Award and author of The Noonday Demon: An Atlas of Depression


"Garelick's extraordinarily astute analysis of Loie Fuller, surely one of the richest performers of her age, draws on insights from postcolonial theory, psychoanalysis, feminism, the history of science, queer studies, as well as the history of modern drama and dance, to unveil a Fuller we have never seen before. Electric Salome is a great read and a wonderfully layered contribution to dance and performance studies."--Peggy Phelan, Stanford University


"Electric Salome represents an important and provocative revision in modernist performance historiography. Garelick demonstrates convincingly Loie Fuller's standing as a liminal figure, refashioning classical ballet within a modernist frame, and as an undervalued influence, technically and aesthetically, on early modern dance and theater. Equally significant is Garelick's compelling analysis of Fuller's engagement with the latest trends in psychology, science, imperialist politics, and the business of art. Visually rich as well as broadly informed, Electric Salome provides new vistas for modernist studies."--J. Ellen Gainor, Cornell University


"Garelick's splendidly detailed rendition of the odd triumphs and legacy of Loie Fuller and her technologized body is as electric as were La Loie's performances: here are lots of hands clapping for this performance also."--Mary Ann Caws, author of The Eye in the Text and The Surrealist Look


About the Author
Rhonda K. Garelick is professor in the department of English and at the Hixson-Lied School of Fine and Performing Arts at the University of Nebraska-Lincoln. She is the author of "Rising Star: Dandyism, Gender, and Performance in the Fin-de-Siecle" (Princeton).

Most helpful customer reviews

2 of 2 people found the following review helpful.
A provocative assessment of Loie Fuller's significance
By Jeff Abell
I have long recognized the important role Loie Fuller played in 20th century dance, and her impact on turn-of-the-century arts and letters. (Her influence on Mallarmé and Rodin alone would qualify her as worthy of study.) An American who made her greatest impact in Paris, Fuller is most often cited as a brilliant technician for her manipulations of costumes, scenery and especially lighting. But if one examines how other artists (visual and literary) responded to her work, their reactions were far from "technical." There's a good bio of Fuller (by the Currents), and (if you read French) the study "Loie Fuller, Danseuse de l'Art Nouveau" that looks at her influences on visual art. But Garelick's book is the first I've encountered that really examines Fuller's work as a dancer, artist, and filmmaker, and attempts to examine the work's content from several perspectives. This is a thoughtful, well-written study, and I'll forgive Garelick occasionally repeating herself for the insights she offers into Fuller the dancer and artist, and the unique, seminal place she had in the history of modern dance.

0 of 0 people found the following review helpful.
Dancing With the Stars
By Serious Reader
This is "cultural studies" at its best. Garelick examines the life and the work of Loie Fuller and allows us to see her impact upon the culture from she sprang, and which she subsequently influenced. Modern dance would not be what it became without her example, and people outside the dance world (like William Butler Yeats) were as caught under her spell as balletomanes and other dance fans. Superbly written, and full of interesting facts and well-formulated ideas.

0 of 0 people found the following review helpful.
Brilliant!
By Andrew Solomon, Author
A magnificent accomplishment that spans fields, ideas, and phiiosophies and makes for compelling reading. Smart, insightful, funny, wide-ranging.

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Jumat, 20 Mei 2011

[B642.Ebook] Fee Download Perfume: The Story of a Murderer, by Patrick Suskind

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Perfume: The Story of a Murderer, by Patrick Suskind

An acclaimed bestseller and international sensation, Patrick Suskind’s classic novel provokes a terrifying examination of what happens when one man’s indulgence in his greatest passion—his sense of smell—leads to murder.

In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille’s genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the “ultimate perfume”—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity. 

Translated from the German by John E. Woods.

  • Sales Rank: #16005 in Books
  • Color: Black
  • Brand: Vintage
  • Published on: 2001-02-13
  • Released on: 2001-02-13
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .80" w x 5.20" l, .60 pounds
  • Binding: Paperback
  • 255 pages

From Library Journal
Upon its publication last year in Germany Susskind's first novel Perfume immediately became an international best seller. Set in 18th-century France, Perfume relates the fascinating and horrifying tale of Jean-Baptiste Grenouille, a person as gifted as he was abominable. Born without a smell of his own but endowed with an extraordinary sense of smell, Grenouille becomes obsessed with procuring the perfect scent that will make him fully human. With brilliant narrative skill Susskind exposes the dark underside of the society through which Grenouille moves and explores the disquieting inner universe of this singularly possessed man. The translation is superb. Essential for literature collections. Ulrike S. Rettig, German Dept., Wellesley Coll., Wellesley, Mass.
Copyright 1986 Reed Business Information, Inc.

Review
?A fable of criminal genius?. Remarkable."?The New York Times

Language Notes
Text: English (translation)
Original Language: German

Most helpful customer reviews

264 of 281 people found the following review helpful.
A HAUNTING AND MESMERIZING TOUR DE FORCE
By A Customer
In 18th century France, Jean-Baptiste Grenouille, born with no scent of his own, but with with a supernatural ability to detect the scent of others is driven to murder in order to create the perfect perfume. This extraordinarily original premise encompasses the most elegant, aristocratic and erotic novel I have ever read. Flawlessly written and drenched in irony, Perfume tells a haunting tale of a man reminiscent of the Phantom of the Opera, the Hunchback of Notre Dame, Beauty and the Beast (beast), and even Faust. Amd finally! A writer with enough talent to let us experience Grenouille's thoughts and emotions. Although, of course, identification with him is impossible, (Grenouille is the most chilling character in literature) I did manage to understand Grenouille's all-consuming passion, much to Suskind's credit. Suskind's prose is lush and evokative (the decadance of 18th century France simply comes alive) without spilling over into the purple prose of books like Violin or The English Patient. Perfume is a bizarre tale, but it is also lyrical and hypnotic--almost a fairy tale of terror. If you're looking for something different, something special, I highly recommend Perfume. The only other book I've found to equal it in originality is Jose Saramago's Blindness. Perfume, however, remains my alltime favorite.

141 of 162 people found the following review helpful.
Fascinating, but not quite a Masterpiece
By Richard R
When the first english language version of "Perfume" was released in 1986, readers went crazy. Many placed it among the best books they'd ever read, myself included. A reread, fifteen years later yields a different, more muted, reaction. The book is good, very good. But it is not great.
"Perfume" succeeds so well because the premise is so startlingly novel. An olfactory genius in 18th-century Paris who can make a fortune creating perfumes more complicated and subtle than any ever made, is a sociopathic monster. Or as Suskind describes him, a "tick" who can roll up into a defensive ball or periodically drop himself into society. Grenouille is a compelling and disturbing character because Suskind has painted him in such realistic tones. Each effort to capture a new scent impels him farther, taking more chances and testing his limits, exploiting new techniques and his own criminal daring. This is true criminal pattern and makes Grenouille terrifyingly believable.
But the book can not be a great one, because Suskind's prose tends toward the overdone. Perhaps it reads better in the original German, but his maddening penchant for rephrasing and repeating the same notion and turning a sentence into a paragraph finally dulls the senses and sets the reader skimming along searching for the next important point.
The plot is so unique that it is brilliant. The execution is powerful, not only in Grenouille's characterization, but also because Suskind has done his homework and is smoothly at ease with 18th century mores and the science of perfume. But the squishy repetitive prose and unfocused paragraphs keep "Perfume" from joining the ranks of literary masterpieces.

55 of 61 people found the following review helpful.
One of the strangest books you'll ever read
By RMurray847
Almost impossible to describe, PERFUME is one of the oddest and most unique books you'll ever read. Set centuries ago, if follows the life of a very emotionally crippled child (later adult) with a hugely sensitive sense of smell. Our "hero" becomes a master perfume maker and almost becomes dangerously obsessed with making a perfume that captures the essence, the very purity of a lovely virgin. Weird, huh?
The book, though compared to "literature" by some of the reviews here, moves very quickly and doesn't feel difficult to read at all. It does take a lot of time telling you about the manufacture of perfumes, but to be quite honest, this stuff is VERY fascinating the way it is presented here.
The book has moments of dry humor, moments of drama, and moments of pure, over-the-top grotesqueness. You've never read a book with a main character anything remotely like this. You've never followed a plot at all similar. And the ending is unexpected as well. It's not exactly a "feel-good" read, but when you're done, you'll have the unusual feeling of having gone down a literary road that's never been traveled before.
Highly, highly recommended. Just keep an open mind!!!

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Rabu, 18 Mei 2011

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The ACOA Trauma Syndrome: The Impact of Childhood Pain on Adult Relationships, by Tian Dayton  PhD

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The ACOA Trauma Syndrome: The Impact of Childhood Pain on Adult Relationships, by Tian Dayton  PhD

Growing up in a home where there is addiction or relationship trauma puts a child at great risk for long-term, post-traumatic stress effects that adversely compromise adult relationships. Bestselling author, psychologist, and psychodramatist Tian Dayton examines this trauma through an exploration of the way the brain and body process frightening or painful emotions and experiences in childhood, and she shows how these traumas can become catalysts for unhealthy, self-medicating behaviors including drug and alcohol abuse, food issues, and sex, gambling, and shopping addictions.

Through Dr. Dayton's insightful analysis and thoughtful examination, Adult Children of Alcoholics will learn how and why the pain they experienced in childhood plays out in their adult partnering and parenting, and they will learn how to restore health and happiness through their resilience.

 

  • Sales Rank: #85269 in Books
  • Published on: 2012-09-03
  • Released on: 2012-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .80" w x 5.40" l, .70 pounds
  • Binding: Paperback
  • 312 pages

About the Author

Tian Dayton, MA, PhD, TEP, has a masters in educational psychology and a PhD in clinical psychology and is a board-certified trainer in psychodrama. She is also a licensed Creative Arts Therapist and a certified Montessori teacher. Dr. Dayton is the director of the New York Psychodrama Training Institute where she runs training groups in psychodrama, sociometry, and experiential group therapy. She created a model for treating trauma called Relationship Trauma Repair, which is currently in use at treatment centers across the United States. She was also on the faculty at NYU for eight years teaching psychodrama.

Dr. Dayton is a fellow of the American Society of Group Psychotherapy and Psychodrama, winner of their Scholar's Award, editor in chief of the Journal of Psychodrama, Sociometry & Group Psychotherapy, and sits on the professional standards committee for ASGPP. She has been awarded the Mona Mansell Award and the Ackerman/Black Award for contributions to the field of addiction.

She has been a guest expert on NBC, CNN, MSNBC, The Montel Williams Show, The Ricki Lake Show, The John Walsh Show, and Geraldo. Dr. Dayton is the author of fifteen books including Emotional Sobriety, Trauma and Addiction, Heartwounds, The Living Stage, and Forgiving and Moving On. She has also written The Process, an award-winning docudrama that uses psychodrama to tell stories of addicts and ACOAs and Psychodrama and Trauma Resolution, a comprehensive psychodrama training tape illustrating the effect of unresolved trauma on the personality and its resolution through psychodrama and sociometry. For more information, please visit www.tiandayton.com.

Excerpt. © Reprinted by permission. All rights reserved.

Introduction

The psychological rule says that when an inner situation is not made conscious, it happens outside, as fate. That is to say, when the individual . . . does not become conscious of his inner opposite, the world must perforce act out the conflict and be torn into opposing halves.
―Carl Jung


My father had two very distinct personalities. The same father who tenderly gave me café au lait on a spoon and fresh-squeezed orange juice in a baby glass, who listened to my childish sentences with such pride and pleasure, who dreamed impossible dreams for my future and worked all of his life to give me the best of everything―that same beloved father had a monster living inside of him. And that monster was as frightening to me as the other side of him was beautiful. And that monster grew stronger with each drink he took. At different times of the month, the week, and eventually the day, the monster would take over my father, and I would have no idea where my 'real' dad had gone.

Now and then, the monster in him would break loose and dance with the monster in all of us. The monster roared its terrible roar and sat in my father's chair in the living room. And I was, somehow, this monster's child. We each, at one time or another, shared his private hell with him until all of us lost our grip on normal.

But still, this was my family, my dad, my monster, and I had to do something to make emotional and psychological sense of living with a parent who made me feel both safe and terrified; a parent whom I loved and hated all at once. All children are faced with integrating parts of their parents that they both love and hate, but for the child in the alcoholic home, this becomes a uniquely challenging and daily experience.

When Dad went to (and left) treatment, there was no such thing as family healing. The wisdom of the day was essentially 'get the alcoholic sober and the rest of the family will get better automatically.' But that didn't happen. It didn't happen because the de-selfing experience of living on an emotional roller coaster had left us not knowing what normal life felt like. The healthy boundary that once surrounded the sweet and secure membrane of our lives was invaded and degraded by the disease of addiction. Just as we had a drunken father and a sober one, we had a drunken family and a sober one. It was as if we repeatedly passed behind some invisible curtain, reemerging each time into an alternate universe but still in our same, familiar living room. The scenes looked somewhat the same, but they felt different. Just maneuvering in and through these worlds required creative, complex, zany, and sometimes rather dysfunctional strategies.

We had no idea, in the 1960s, of how deeply affected an entire family becomes, how the trauma of living with the daily disruptions, distortions, and denial of addiction wraps its tentacles around childhood development and family development, changing everyone. But it doesn't have to be that way. Today we have something called recovery. Today we recognize that there is no dignity in hiding the truth and no freedom in keeping secrets. We learn, in recovery, to stand up and take responsibility for the part of the disease that lives in us and to take the necessary steps to treat it. And in doing this, we restore our hope, faith, and trust in life.

It is impossible to explain to someone who has not been through it how many little things go awry in a home where addiction has taken hold. Sure, I can say routines were thrown off; there was constant crisis that wasn't there before, but that doesn't fully describe it. What really hurts is that you can no longer count on anyone the way that you once did. You watch the parent you love turn the face that once smiled at you towards a bottle of alcohol or sink into a lying and degrading behavior. And then, just as mysteriously, he returns, clean-shaven, loving you once again, and remembering all the things you worried he had forgotten--that you're in a school play, what you like for breakfast, that you are still there (even though he comes and goes). You have him back. You're torn between letting it feel wonderful (which it does) and not letting it feel too good, because you know from experience that if it feels too good it will only hurt more when he slips away again. Then sure enough, you sense tension creeping in, you see situations devolving and unraveling before your eyes, and you know that it's coming. You can read all the signs. The gap between the worlds that had temporarily closed up begins to widen, and your addict disappears into some crevice, some wormhole in the universe, and he is gone as mysteriously as he came. He returns to his private nowhere where you can't find him. He hides in plain sight. And you have to lose him once again. And wait to see what happens. And just be in the family that is still there. Somewhat there. You see the disappointment on the faces around you; you see the confusion, the humiliation and the hurt. And simultaneously you see those family members shake their heads, square their shoulders, and mush on because the world is still chugging along even though the alcoholic has stepped off. You both appreciate and hate their efforts. You appreciate the ones who are able to plow through, even with blinders, because someone has to, because there are school buses to make, homework to be done, and appointments to get to. You hate it because you sense the sham underneath it. The pain inside you, inside everyone grows. But no one talks about it; because what would they say? It is too sad to look at, too much to sort out.

And changing one person might mean everyone has to change. And what would that mean--what would it look like and who would everyone be then? And besides, the family loses track of what's wrong. Is it even the alcohol you are looking at? Or the debting? Or the sexual liaisons and secrets? You hardly know any more. Addicts are so good at hiding their disease that for years it simply reads as their personality, their 'depression,' their 'negativity,' their 'expansive personality.'

The Japanese said it most succinctly: 'First the man takes the drink, then the drink takes the drink, then the drink takes the man.' And I would add that then the drink or disease takes the family. This disease is contagious. It's not only the addict who needs to sober up. Family members, too, need to become emotionally sober. Today, because treatment is so much more common, its progression can be caught before it spreads through the whole family. But the longer a family remains silent, in denial and living in the throes of managing the mind-numbing disease of addiction, the more symptomatic family members are likely to become.

Adult children of alcoholics (ACoAs) can and often do suffer from some features of post-traumatic stress disorder (PTSD) that are the direct result of living with the traumatizing effects of addiction. Years after we leave behind our alcoholic homes, we carry the impact of living with addiction with us. We import past, unresolved pain into present-day relationships, but without much awareness as to how or why. And that is what this book is about. How living with addiction or dysfunction creates cumulative trauma, the effects of which can play out over a life time. And what to do to get better. And how getting better will open doors inside of you that you hardly knew were there.

Family Trauma Need Not Be a Life Sentence
Trauma is actually fairly common; most people grow up with at least four adverse childhood experiences (Anda 2006). It is not necessarily the trauma that creates lasting problematic effects, but how we deal with it (or don't deal with it) when it occurs and afterward. Much can be done to ameliorate the effects of adverse childhood experiences. Supportive people, places to go that feel safe, and moving shock into some form of consciousness so pain does not remain hidden and unspoken can take a situation that could be traumatic and turn it into something that might be less damaging and potentially even character building.

Our culture creates a sort of myth of 'happily ever after' that is really no one's life. Feeling sad, anxious, or fearful is part of the human condition and does not necessarily require treatment. What makes trauma different from normal life stressors is that its effects tend to be long-lasting and repetitive and the patterns that are associated with a traumatic circumstance make their way through the generations. Our shock is long-lasting, engraved in our neurological systems and evidenced by how easily we can be triggered, how quickly our emotions go from zero to ten. We experience a loss of neuromodulation, which translates into our losing some of our ability to self regulate. Feelings, even intense ones, come and go; but unresolved, hidden and unprocessed trauma can last.

Because of the way the brain processes trauma, our most painful experiences may be the very ones that get repressed or thrown out of conscious awareness. While initially this allows us to function during overwhelming experiences that might otherwise immobilize us, eventually those feelings of fear and anxiety need to be felt rather than frozen. The family, while a perfect unit for raising young, can also be fertile ground for creating cumulative trauma throughout the developmental cycle. Our primary relationships are meant to nurture and sustain us until we are strong enough to survive on our own. When small children are terrified by the very same people who they would normally go to for comfort and safety, they become trapped in a confusing and disequilibrating system with no one to help them to restore their sense of 'normal' and their feeling of emotional balance. They are then forced to come up with immature strategies to manage what feels unmanageable. Oftentimes they just go numb. Or they dissociate; they disappear on the inside.

Recovery from the ACoA trauma syndrome is all about reclaiming the fragmented parts of self that are trapped in another psychological and emotional time and place and bringing them into the here and now. It is translating hidden emotion into words so that feelings can be processed, new insight and meaning can be gained, and experiences can be knitted back together with new understanding into a coherent and present-oriented picture of the functioning self and the self in relation to others. It is learning to live in the present rather than in the past or future.

This field has many pioneers whose remarkable sharing and collaborations over the years have lit a lamp for others to follow. Some of these pioneers are Margaret Cork, Claudia Black, Sharon Wegscheider-Cruse, Robert Ackerman, Jane Middleton-Moz, Stephanie Brown, Don Coyhis, Jerry Moe, Janet Woititz, Rokelle Lerner, Faye Calhoun, Jeannette Johnson, Phil Diaz, Patricia O'Gorman, Frances Brisbane, Stephanie Covington, Anna Whiting Sorrel, Hoover Adger, Lala Strassner, Cathleen Brooks Weiss, Ann Smith, Ellen Morehouse, Patrick Carnes, John Bradshaw, and Timmen Cermak.

Research on trauma made my own work come alive and provided a research base that began my own exploration of what I call the ACoA Trauma Syndrome; much gratitude to Bessel van der Kolk, Judith Hermann, and Lisa Najavitts for their seminal work in this area. Another leg of the stool that the syndrome stands on is attachment research, which I apply to my understanding of how childhood development is affected by growing up with addiction. Those in the area of attachment by whom I have been led are Maria Montessori, Jonathon Bowlby, D. W. Winnicott, Alan Schore, Stanley Greenspan, and Daniel Siegel. Robert Anda's research on Adverse Childhood Experiences (ACE) has elevated awareness and brought attention to the long-term impact that growing up with addiction can have on both mental and physical health, making an invaluable contribution toward policy in this area.

Psychodrama is my method of treating people who have been traumatized or people simply looking to increase their own level of spontaneity, creativity, and aliveness. In this area I have been most impacted by J. L. Moreno, Zerka Moreno, and Dr. Robert Siroka, whose excellent training and vision for this method lit my own healing spirit.

It is my hope that by the end of this book you will have an in-depth understanding of trauma; it is also my hope that reading this book will help to make trauma seem less strange and threatening to cope with and help you to develop various strategies for lifestyles that both minimize its occurrence and intensity and process it before it comes to have a life of its own. In Part 1, we discuss and draw pictures of the black-and-white world of the family system that contains addiction. In Part II, you will learn how your mind and body become affected and infected through living with the trauma-engendering dysfunctional relationship dynamics that surround addiction. In Part III, we explore case studies involving process addictions or the many forms of compulsive behaviors that self-medication can assume.

In Part IV, we'll take a step down the path of healing from the ACoA Trauma Syndrome and offer tips on attitude and lifestyle changes that build resilience and strength. In Part V, we'll look at ways of breaking the intergenerational chain of pain. We'll see how the past can be separated from the present so that we can live with mindful, positive purpose in the here and now.
Many who embrace recovery come to experience it as a journey of self-discovery, one of expansion into a new sense of self, self in relationships, and meaning and purpose in life. Many find that the promises of twelve step program do come true and they 'do not regret nor wish to close the door' on their past, because through processing it, they have come to a deeper sense of aliveness and self-confidence. Or as Edmund Spenser wrote in The Faeire Queene, 'For whatsoever from one place doth fall, Is with the tide unto an other brought: For there is nothing lost, that may be found, if sought.'

 ©2012 Tian Dayton, PhD. All rights reserved. Reprinted from The ACOA Trauma Syndrome. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the written permission of the publisher. Publisher: Health Communications, Inc., 3201 SW 15th Street, Deerfield Beach, FL 33442.

Most helpful customer reviews

25 of 26 people found the following review helpful.
I feel understood, and I feel like I understand, too.
By Poodle
I purchased this book originally with the idea to better understand my significant other, an adult child of an alcoholic. I am a recovering alcoholic (18 years sober), and my grandfather was an alcoholic. I never saw my father (an ACOA) drink, but he said he stopped drinking when we (my brother and I) were kids so that we wouldn't have the life that he did, growing up with an alcoholic father. So many things in this book affirmed who I am--I felt odd and confused and sad and defective as a child, and as if something bad had happened to me, but have no recollection of any huge trauma. This book affirmed my experience and my feelings. It has helped me be more compassionate toward myself and to my significant other, who struggles with his own ACOA issues. I read many MANY books on recovery and alcoholism over the years, and this is the FIRST one that I have ever felt so validated and so helped by! This book helped me understand why I react the way I do sometimes and how to change. I recommend it for ACOAs and alcoholics and addicts alike. Amazing book.

19 of 21 people found the following review helpful.
Recommended for anyone suffering from the affects of alcoholism; very insightful
By Alison R
I am an ACOA and I am working a 12 step program in Al anon. I came across this book and I am amazed at how insightful it has been for me. I was unaware of the fact that those who suffer from the affects of alcoholism could suffer from PTSD and now after reading this book I am aware that many of my feelings and behaviors mimic that of suffering from PTSD symptoms. I am grateful to have the awareness and to know that by continuing to work my Al anon program along with the help of a therapist these unhealthy behaviors can be reversed and I can grow to live a healthy life for me and the people in my life. I would definitely recommend this book to a friend or anyone else suffering from the affects of someone Else's drinking.

9 of 10 people found the following review helpful.
This book will change your life for the better!
By Amazon Customer
Truly brilliant explanation of what happens to change the brain and thought processes, and physiological responses to every day stimuli in trauma victims. I thought it was just that I was defective, because I was told and shown that in so many awful ways by my abusive family of origin. I endured years of abuse that started with a stepparent, and which left me a target for further bullying and abusive relationships. If I had understood what happened to me I would have dealt with the fallout from the abuse differently because I would have had tools to help reframe events and change my thought patterns. I wasn't born this way, I was outgoing and confident and empathetic, and I ended up with undiagnosed PTSD. Nobody knew 40 years ago that kids from abusive and dysfunctional families suffered this way, but now it's recognized and there is some help available. We don't get to go back in time for do-overs to have the life we should have had, but we can start from where we are now and make the time we have left much better. Even if we are older, there is still hope and this book is a great place to start healing from the inside out.

See all 44 customer reviews...

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[I988.Ebook] PDF Download Drawing Cutting Edge Anatomy: The Ultimate Reference Guide for Comic Book Artists, by Christopher Hart

PDF Download Drawing Cutting Edge Anatomy: The Ultimate Reference Guide for Comic Book Artists, by Christopher Hart

It will not take even more time to purchase this Drawing Cutting Edge Anatomy: The Ultimate Reference Guide For Comic Book Artists, By Christopher Hart It won't take even more cash to publish this book Drawing Cutting Edge Anatomy: The Ultimate Reference Guide For Comic Book Artists, By Christopher Hart Nowadays, people have been so clever to use the modern technology. Why do not you use your gadget or various other tool to conserve this downloaded soft documents book Drawing Cutting Edge Anatomy: The Ultimate Reference Guide For Comic Book Artists, By Christopher Hart Through this will allow you to consistently be gone along with by this publication Drawing Cutting Edge Anatomy: The Ultimate Reference Guide For Comic Book Artists, By Christopher Hart Of training course, it will be the most effective close friend if you review this e-book Drawing Cutting Edge Anatomy: The Ultimate Reference Guide For Comic Book Artists, By Christopher Hart until completed.

Drawing Cutting Edge Anatomy: The Ultimate Reference Guide for Comic Book Artists, by Christopher Hart

Drawing Cutting Edge Anatomy: The Ultimate Reference Guide for Comic Book Artists, by Christopher Hart



Drawing Cutting Edge Anatomy: The Ultimate Reference Guide for Comic Book Artists, by Christopher Hart

PDF Download Drawing Cutting Edge Anatomy: The Ultimate Reference Guide for Comic Book Artists, by Christopher Hart

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Drawing Cutting Edge Anatomy: The Ultimate Reference Guide for Comic Book Artists, by Christopher Hart

This drawing tutorial from best-selling author Christopher Hart shows artists how to draw exaggerated musculature of super-sized figures in action poses.

  • Sales Rank: #519706 in eBooks
  • Published on: 2014-04-22
  • Released on: 2014-04-22
  • Format: Kindle eBook

From School Library Journal
Adult/High School–While it won't replace a more traditional study of anatomy, this book covers the basics in good detail, always relating the discussion of bones and muscle groups to the exaggerated physiology found in comic books. The illustrations are lavish, often in full color, with black and white used for the drawings where color would obscure the lesson being imparted. A mixture of comic-book-proportioned anatomical drawings and finished art helps to show the transition between fact and presentation, with the text highlighting what has been emphasized as well as what has been left out to get the proper look. The last part of the book includes a discussion of how the comic-book business works and several interviews with artists, all of which drift from the topic of anatomy somewhat but is still useful and interesting. Attractively presented and educational, this title will be popular with comic-book fans who like to draw.–Paul Brink, Fairfax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
CHRISTOPHER HART is the world's bestselling author of drawing and cartooning books. His books have sold more than 6 million copies and have been translated into 20 languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals, and they have been selected by the American Library Association for special notice.

Most helpful customer reviews

42 of 47 people found the following review helpful.
A Pleasent Surprise
By Matthew Pulido
I am an artist by trade. I grew up wanting to draw comics. Since getting an art (illustration)degree I have used my talent mainly on local adds and a few small book projects. But I still read comics, and draw them when I can.

I stumbled on this book in Barnes & Noble's one day, and flipped through it and it's counter part on Cutting Edge Comics. Both impressed me, so I picked this one up and put the other on my short list.

Anatomy is a tricky subject. I studied it in college, and a have a decent understanding. I own several other anatomy books, and even the art ones seem more for doctors than artists. And lets face it, comic book characters arn't built like normal people. All that said, I think this book does a wonderful job of laying out the muscle groups, explaining how they work, and exagerating them for comic book use. Both scientific and common terms are used, everything is in plain english, and there are plenty of examples. While at times it seems more like a referance guide than a how to book, that isn't really a problem. Every great artist knows the value of good referances. Over all the art is of an above average quality, with a few gems here and there. While it may not be as flashy as some of the best art currently being published in comics, it's still clear, well done, and easily gets it's point accross.

I don't think an young artist can go wrong giving this book a look.

24 of 27 people found the following review helpful.
another opinion . . .
By sarah palaszynski
i am an illustrator and a recent art college graduate and i actually found this book very informative and helpful.

i was surprised by the negative reviews of the book because i saw it as a very adequete refresher course of the lessons and ideas i learned in my classes while majoring in Illustration.

it covers 7 (and sometimes 9 and 12) head anatomy, muscles and how they react while in action, facial muscles, veins, and skeletal structure.

it also covers important details like body language, eye structure, LIGHT SOURCES, and surface mapping (to get an impression of the form and dimension s of the body).

i'm actually using a few sections of this book in a con-ed cartooning class for children i'm teaching at the moment.

i'd recommend the book if you want a quick run through of the differnt ideas for constructing the comicbook ideal of anatomy. from these ideals you can branch out into your own style and make it your own.

24 of 28 people found the following review helpful.
It made me a better artist!
By Young Artist
I am a 15-year-old and have been interested in drawing comic book art for a few years now. I started out buying How to Draw Comics the Marvel Way. It was really good, yes because well-established comic book artist wrote it, but it didn't really grab my attention. Then, I saw How to Draw Cutting Edge Comics. This book really got me into drawing comic book characters. Then, I saw that he had a new book, How to Draw Cutting Edge Anatomy. I was especially excited because drawing the actual people interested me more than drawing anything else in comics. I quickly looked through it and bought it. I have never looked back.

It honestly taught me so much. It starts with skeletal structure which, I believe, has to be the first thing an artist needs to learn before learning the rest of the anatomy. Then, it goes on to basic muscles. After this, it has many sections focusing on different muscle groups and parts of the body. While the pictures do help, it was what he wrote that helped. They way he explains what the muscles look like and how they move is very understandable. I loved it.

I have been looking for an anatomy book that's at least moderately clean - I'm just not comfortable with drawing nude figures; I just want to draw comics. There are not very many comic book drawing books out there that focus on anatomy and are still modest. This one does a great job of it and it is one of the cleanest ones I have found. Some of the pictures of the girls are seductive and immodest, but I try to not focus on that. There's so much more to learn in this book!

The styles of other how-to-draw-comics just didn't catch my attention like this one did. You see, I don't want to develop a Stan Lee or George Perez style, I want my own. Learning from an author that isn't an established artist in the comic book world seemed to ease the pressure of making my style like his. All I can say is that I love this book. It has its flaws, yes, but every how-to-draw book has its flaws. I read this drawing book, and others, but especially this one, to help me draw better. What can I say? I love it!

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Drawing Cutting Edge Anatomy: The Ultimate Reference Guide for Comic Book Artists, by Christopher Hart PDF
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Selasa, 17 Mei 2011

[D511.Ebook] Download Ebook Grimweave, by Tim Curran

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Grimweave, by Tim Curran

In the deepest, darkest jungles of Indochina, an ancient evil is waiting in a forgotten, primeval valley. It is patient, monstrous, and bloodthirsty. Perfectly adapted to its hot, steaming environment, it strikes its chosen prey: human. Now Michael Spiers, a Marine sniper, the only survivor of a previous encounter with the beast, is going after it again. Against his better judgement, he is made part of a Marine Force recon team that will hunt it down and destroy it. The hunters are about to become the hunted.

  • Sales Rank: #6945584 in Books
  • Published on: 2015-08-18
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.40" h x .60" w x 5.30" l,
  • Running time: 4 Hours
  • Binding: MP3 CD

About the Author
Tim Curran is the author of many novels and novellas, including The Corpse King, Skin Medicine, Hive, Dead Sea, and Skull Moon. His short stories have appeared in such magazines as City Slab, Book of Dark Wisdom, and Inhuman. He lives in Michigan.

A veteran voice artist, Tom Zingarelli has produced and narrated many audiobooks in the last several years. He has also recorded books for the Connecticut State Library for the Blind and Physically Handicapped. His voice was featured on the popular PBS children's television program Between the Lions.

Most helpful customer reviews

11 of 12 people found the following review helpful.
Another great read. Curran delivers once more
By Zombie_Gunslinger
I've been following Curran on and off for the last 5 or 6 years. It's true, there was a time where I wasn't reading any of his work because it all seemed the same: over-descriptive writing, gore in place of a a decent storyline, repeated plots and recycled violence. However, in more recent months, I've found myself returning to his works, and it seems that time off has been totally worth it. Curran has stepped up his game, writing quicker, more action-packed novellas in place of the plodding, sometimes boring novels of previous years. Now, in Grimweave, Curran once again returns to Vietnam, only, unlike Headhunter, this time, the creature he creates is far more scary and gruesome:

"The Creature was waiting for him. It was sitting there, clinging to the lip of the chasm like some great and impossible insect about the size of a pickup...or maybe two of them. It was some sort of thing Spiers had seen through the scope, only much, much larger. Its body was wide and low, cream-colored, roughly figure eight-shaped, like two plated discs joined together, each of which seemed to be formed of interlocking segments. Not smooth in the least, but chitinous and ridged, convoluted with bony furrows and narrow furrows like ribs, lots of knobs and hollows set between. And spines. A series of them rose from its dorsal plates and each of them looked long enough to skewer a man. Obscenely skeletal, the creature had at least ten legs, maybe as many as a dozen, each big around as a fence post and jointed like those of a crab. A sheer membrane of flesh webbed them together at the upper extremities. At each leg was a bulging pod that oozed nets of spreading, living webs. It looked like a living exoskeleton."

If there is any doubt that Curran is one of the most descriptive, highly visual authors in the field, that quote, directly from the book, should shut down any naysayers. That he has such a rich imagination doesn't surprise me, but the fact that he can translate that into words and sentences so rich in detail and vivid illustration is a skill that all authors want, but few can immolate. Even now, as I work on my own short stories and formulate ideas for others, it's Curran's strong talent that has been a huge inspiration for me. In a way, it's unfortunate that Curran still sneaks under the radar in literary circles, however, the fact that he seems to be grossly underrated isn't necessarily a bad thing. I can only imagine how much his work would suffer should he, somehow, sign a massive contract with Scribner or Harper.

Grimweave may not be quite as strong as Hive or Hive 2 (both of which really introduced me to the Cthulhu mythos and Lovecraft as a whole), but don't let that keep you from giving it a shot. It's actually a lot of fun and a quick, entertaining read.

5 of 6 people found the following review helpful.
The dialogue is horrible and it’s like the author watched Full Metal Jacket ...
By P.M.G.
Wow, I powered through this book because of all the positive reviews and figured the end would have a big payoff. Boy was that the wrong call! Where to begin?

All of the characters in the book are one-dimensional and I found myself rooting against them. The action described in the book is mediocre. The dialogue is horrible and it’s like the author watched Full Metal Jacket and Predator on side by side TVs, then tried to use the foul-mouthed rants to fill pages in between the story of those two movies merging together. And though the derogatory homophobic misogynist language is rampant, the author refrains from using ugly racial slurs which were common at the time (this is a period piece set during the Vietnam conflict). Go all in or stay out!

And then comes the adjectives. How many ways can we describe the heat and humidity of the jungle? Read every other page and find out…we get it…it’s hot and humid.

I’m pretty sure the author never re-read his work after his first draft because of the inconsistencies on every page. At some points the jungle is so still and silent, only to have the next paragraph talk about the incessant chirping of the bats overhead…huh? The group is well-disciplined veterans only a page later to be sniveling in fear, then back to “the mission comes first” trained killers they are…WTF? And my favorite, a certain character is killed in front of everyone, and two pages later the main character asks about him coming back from looking around with the others (Chapter 23). It’s called proof-reading.

And just to get nit-picky, does the author seriously not have any military friends that could at least give the story a once over? The ranks are wrong…Any Lance Corporal that ever called Master Gunnery Sergeant, “Gunny,” would wake up with a broken jaw knowing never to demote him again. “Gunny” is for a Gunnery Sergeant and “Master Guns” can be the affectionate term for a Master Gunnery Sergeant, which is a full two ranks higher than a Gunny. You also wouldn’t ever refer to the man as “NCO Carmody”…it’s Master Gunnery Sergeant Carmody (and he’s an SNCO for Staff Non-Commissioned Officer). Those are just irritating points. One infuriating thing is that no officer would act the way the Major acted, much less consider killing one of his men because it’s slowing the mission down (the worst thing any officer deals with is the loss of anyone in their command).

Without giving away any spoilers, the explanation at the end of the book was unoriginal and made little sense with the way events unfolded.

Overall, this is a horrible read and you’re better off watching atrocious movies on SyFy rather than devoting any time to this.

4 of 4 people found the following review helpful.
Grimweave sticks with you!
By Robert Nash
Are you ready to be terrified again? If you're a fan of Tim Curran's work like I am, then this book will not disappoint. It's full of the classic chilling drama that we have all come to expect from his work. The characters are all very cool, especially Spiers. Man goes through the stuff, and you just aren't sure how he will come out, or even if he will at all. I found the creatures to be particularly unnerving, mainly due to a certain fear that I have...lol. This book offered me everything I fully expected it to. I recommend this, not only to fan's of Tim Curran, but to fans of sci-fi/horror in the first place. You will not be sorry that you picked this up.

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Senin, 16 Mei 2011

[Y908.Ebook] Free Ebook Lizzie Bright and the Buckminster Boy, by Gary D. Schmidt

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Lizzie Bright and the Buckminster Boy, by Gary D. Schmidt

It only takes a few hours for Turner Buckminster to start hating Phippsburg, Maine. No one in town will let him forget that he's a minister's son, even if he doesn't act like one. But then he meets Lizzie Bright Griffin, a smart and sassy girl from a poor nearby island community founded by former slaves. Despite his father's-and the town's-disapproval of their friendship, Turner spends time with Lizzie, and it opens up a whole new world to him, filled with the mystery and wonder of Maine's rocky coast. The two soon discover that the town elders, along with Turner's father, want to force the people to leave Lizzie's island so that Phippsburg can start a lucrative tourist trade there. Turner gets caught up in a spiral of disasters that alter his life-but also lead him to new levels of acceptance and maturity. This sensitively written historical novel, based on the true story of a community's destruction, highlights a unique friendship during a time of change. Author's note.

  • Sales Rank: #88673 in Books
  • Brand: Houghton Mifflin Harcourt
  • Published on: 2013-05-14
  • Released on: 2013-05-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 5.00" w x .25" l, .43 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Sold as an Each
  • Children will just love this book
  • Colorful illustrations and lively text will keep them captivated for hours
  • An ideal way to introduce young ones to basic language arts skills
  • Children just love to be read to as it aids in quality bonding time as well

From School Library Journal
Grade 6-9-From the sad and shameful actual destruction of an island community in 1912, Schmidt weaves an evocative novel. When Turner Buckminster arrives in Phippsburg, ME, it takes him only a few hours to start hating his new home. Friendless and feeling the burden of being the new preacher's son, the 13-year-old is miserable until he meets Lizzie Bright Griffin, the first African American he has ever met and a resident of Malaga Island, an impoverished community settled by freed or possibly escaped slaves. Despite his father's and the town's stern disapproval, Turner spends time with Lizzie, learning the wonders of the Maine coast. For some minor infraction, Turner's father makes the boy visit elderly Mrs. Cobb, reading to her and playing the organ. Lizzie joins him, and this unlikely threesome takes comfort in the music. The racist town elders, trying to attract a lucrative tourist trade, decide to destroy the shacks on Malaga and to remove the community, including 60 graves in their cemetery. The residents are sent to the Home for the Feeble-Minded in Pownal. When Mrs. Cobb dies and leaves her house to Turner, he sets off to bring Lizzie home, only to find that she died shortly after arriving at the institution. Turner stands up to the racism of the town. His father, finally proud of him, stands with him-a position that results in the reverend's death. Although the story is hauntingly sad, there is much humor, too. Schmidt's writing is infused with feeling and rich in imagery. With fully developed, memorable characters and a fascinating, little-known piece of history, this novel will leave a powerful impression on readers.
Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Gr. 7-12. Turner, the rigid minister's son, doesn't fit in when his family moves from Boston to the small town of Phippsburg on the coast of Maine in 1912. It's not only that Maine baseball is different from the game he knows; he's just plain miserable. Then he makes friends with a smart, lively young teen, Lizzie Griffin, living in a small, impoverished community founded by former slaves on nearby Malaga Island. When the town elders drive Lizzie's people off the island, Turner stands up for them, but he can do nothing. Lizzie eventually dies in an insane asylum. The novel may be too long and detailed for some readers, with every plot strand and character accounted for. But the removal of the Malaga community really happened, and Schmidt weaves that history into a powerful tale of friendship and coming-of-age, adding a lyrical sense of the coastal landscape. Characters are drawn without reverence in this haunting combination of fact and fiction that has a powerful and tragic climax. Hazel Rochman
Copyright © American Library Association. All rights reserved

Review
"Gloriously figurative language...brilliantly evokes both time and place...both beautiful and emotionally honest, both funny and piercingly sad." Kirkus Reviews, Starred

"a powerful tale of friendship and coming-of-age...haunting combination of fact and fiction has a powerful and tragic climax." Booklist, ALA, Starred Review

"an evocative novel...with fully developed, memorable characters...fascinating, little-known piece of history...will leave a powerful impression on readers." School Library Journal, Starred

"Schmidt fictionalizes a true event... vividly realized...fully credible...subtly drawn." THE BULLETIN OF THE CENTER FOR CHILDREN'S BOOKS Bulletin of the Center for Children's Books

VOYA (Voice of Youth Advocates)

"historical incident ignites a rich novel...a drama that examines the best and worst of humanity." HORN BOOK Horn Book

Most helpful customer reviews

71 of 77 people found the following review helpful.
Richie's Picks: LIZZIE BRIGHT AND THE BUCKMINSTER BOY
By N. S.
"From so simple a beginning endless forms most beautiful and most wonderful have been, and are being evolved."
--Charles Darwin, THE ORIGIN OF SPECIES
"Like angels appearing in the sky,
whales are proof of God."
--Cynthia Rylant, THE WHALES
Because it is based upon a series of true, race-related events in Maine during the early 1900s, LIZZIE BRIGHT AND THE BUCKMINSTER BOY might make you think of Karen Hesse's WITNESS. Several of the "good guy" characters--Mrs. Carr and the elder Mrs. Hurd, for example--have a charm reminiscent of the idiosyncratic folk in BECAUSE OF WINN-DIXIE. But, because of the depth of the evil behind the tragic real events upon which the fictional story of Lizzie and Turner is built, the feelings of despair and anger with which we're left evoke memories of such books as MISSISSIPPI TRIAL, 1955 and TO KILL A MOCKINGBIRD.
The enchanting Lizzie Bright Griffin, a girl of great strength and few words, belongs to the youngest of many generations of African Americans who have called Malaga Island home.
"Lizzie held close against her grandfather as the people of Malaga Island came out from the pine woods, gathered around their preacher on the shore to hear what had been said. Before they turned, Lizzie felt her grandfather ebb as though his soul were passing out of him, the way the last waves of a falling tide pass into still air and are gone. "She took a deep breath, and she wasn't just breathing in the air. She breathed in the waves, the sea grass, the pines, the pale lichens on the granite, the sweet shimmering of the pebbles dragged back and forth in the surf, the fish hawk diving to the waves, the dolphin jumping out of them.
"She would not ebb.
"Then she turned with her grandfather to tell the gathering people of Malaga that times had moved on, and they would have to leave their homes."
Across the water, on the mainland, Turner is the new kid in town. And even worse--from his perspective--he's the new minister's son.
"Turner Buckminster had lived in Phippsburg, Maine, for almost six whole hours.
"He didn't know how much longer he could stand it."
Here, as with the fight over the towers in Elaine Konigsburg's THE OUTCASTS OF 19 SCHUYLER PLACE, the root of conflict involves money and property values. Phippsburg's shipbuilding industry is dying, and the local "boys with the bucks" reckon that tourism may be the source of future prosperity if only the "less desirable" portion of the community can be run out of town.
" 'Would you look at that monkey go? Look at her go. She climbing down or falling?' Deacon Hurd watched the last leap to the ground. 'Sheriff Elwell, I believe she thought you might shoot her.'
" 'Wouldn't have been any trouble, Mr. Hurd. One less colored in the world.' "
The character who is most difficult to decipher in this story of Turner's coming of age is his father. Reverend Buckminster was hired by the church leadership and is supposed to be serving God. However, he is being pulled in various directions: by the white community, by his own knowledge and conscience (or sometimes lack thereof), and by the beliefs of the maturing son he apparently loves, albeit in a stiff, 1912 Congregationalist ministerial fashion.
"And suddenly, Turner had a thought that had never occurred to him before: he wondered if his father really believed a single thing he was saying.
"And suddenly, Turner had a second thought that had never occurred to him before: he wondered if he believed a single thing his father was saying."
Reverend Buckminster is but one of several characters who end up throwing Turner a curveball.
The innocent, against-all-odds friendship that develops between Turner and Lizzie repeatedly caused me shivers, delight, and despair. It is first among the many reasons why LIZZIE BRIGHT AND THE BUCKMINSTER BOY is an entertaining and important piece of YA historic fiction. (...)

40 of 44 people found the following review helpful.
The price of learning what the whales already know
By E. R. Bird
Having finally finished, "Lizzie Bright and the Buckminster Boy", I see now that the 2005 Newbery year was one filled with books for older child readers. Whether those readers are into racism or autism, the subject matter of the winners was particularly complex and mature. And in none of these winners is the subject more mature than in "Lizzie Bright". Basing this tale on the true events that occurred on Malaga Island, just off the coast of Maine, the story is a thoughtful look at the meaning of racism, friendship, human connection, and loss. It's not going to strike the kids who read it as a cheery devil-may-care book. But its magnificent writing keeps it from becoming another "Kira-kira" sob-fest. In any case, it's the kind of story that'll give you reason enough to stop, think, and consider.

According to Turner Buckminster's calculations, he was in his new home of Phippsburg, Maine for approximately fifteen minutes shy of six hours when he realized that, "he didn't know how much longer he could stand it". For one thing, he's the son of the town's new minister. And when you're the minister's son you're expected to be the soul of virtue. Turner's not a bad kid, but he has a heck of a way of getting into trouble. It's only when he escapes to the seacoast and meets Lizzie Bright Griffin that things start to look up. Lizzie's one of the black people living on the tiny island of Malaga, just off the coast of Phippsburg. It's a poor community (this is 1912, after all), but they get by. Unfortunately, the town's been losing money and it seems the Buckminsters have been hired by the city's fathers to help them in their goal of ridding Malaga of its inhabitants so as to set it up as a tourism site. That means throwing Lizzie and all her neighbors off the only home they've ever known. As Turner comes to terms with what it means to shrug off the scandalized eyes of the townspeople, as well as his parents' disapproval, he learns that for all the sorrows life may hand you, there can sometimes be salvation in the blink of a whale's mysterious eye.

Now there's some pretty heavy-handed subject matter going on here. You have perfectly nice little old ladies and young lively black kids being carted off to insane asylums (1912 insane asylums at that). You have several major characters die, usually off-camera, without so much as a howdy-doo. You have evil presented as godliness (topical considering the times in which we live), and the good of the almighty dollar aligned with God's supposed will. And that's not even touching on the racism issues, the human rights issues, and the rights children have in the eyes of the law. This is a book about bullies and how one stands up to them. I think what I really loved about "Lizzie Bright" was that Schmidt never took the easy road out. There aren't any miracles here or unexpected changes of heart (save one, but it's believable). People in this book are a set of contradictions, but for all that they do bad things they may not always be bad people per say. Bad things happen to good people, and they happen a lot. If you don't want your kids to know this, then you may as well grab the nearest Dick and Jane compendium and pretend that history never happened. But if you want to give them a well-informed, sometimes dark, but always interesting novel to peruse, this is it.

Now I did have some qualms here and there. There's nothing I hate more than an author/filmmaker/playwright/etc. who relies on that old "magical-black-friend" motif. You know the one I'm talking about. You'll find it in any story where an uptight white person meets someone of a different race and suddenly gets in touch with the earth/their feelings/what's really important/and so on. And there is a bit of that here. There's also the fact that there's rarely a black person in this book who comes off as anything but saintly. I like my characters to have a little depth to them. A little good and bad. But here the blacks sort of fall under the "victim" banner and never leave it. I wish they had as much complexity as, say, Turner's preacher father, but there doesn't seem to be much chance of that. Still, Lizzie's okay. She's kind of a likable version of that gawdawful "Ida B" (another children's book that came out in 2004 and that you should avoid at all costs). Lizzie gets mad at inappropriate times and she's never as nice to Turner as she should be, so when I say that the African-Americans in this tale never show enough depth, I'm excluding the title character. Lizzie's a fascinating character, and one that you wish you saw more of.

This is a book to spark some highly hepped up debates. You may well find yourself shaking with anger on one page and sighing with infinite relief on the next. Schmidt really defines himself here as one of the finest children's authors living today. When you read the line of a character who asks, "So, Turner Buckminster III, when you look through the number at the end of your name, does it seem like you're looking through prison bars?", you cannot help but smile. Perhaps this book will not be remembered as Schmidt's best, though. I have a feeling that as an author he'll have a lot more to say to the children of the world. Let's hope they're bright enough to listen.

27 of 29 people found the following review helpful.
The best children's book in years
By Rowena Ravenscroft
I teach both children's lit and young adult lit at my university, so I read hundreds of children's books a year. This is the best book to come along for older children in quite awhile; I simply can't fault any aspect of it--style, character development, pacing, plot, honesty--it's all here.

As has been pointed out by a couple of other reviewers, it is simply shocking that Kira Kira won the Newbery while this book was a runner-up. When I was grousing about that fact to a librarian, she told me that the Newbery is often won by a compromise book, because the better books have such passionate devotees on the committee that they cancel each other out. I can't help but think that's what happened this year with Lizzie Bright and Al Capone Does My Shirts, both of which are far superior to Kira Kira.

The worst thing about Kira Kira is its irritating writer's-workshop postmodern minimalist style--that and I don't think actual children will like the book at all. At my own public library it has languished on the shelf for months, checked out only once--by me. Lizzie Bright, on the other hand, is not only always out, but has a waiting list of potential child readers.

If you are a parent or a teacher, order this book immediately. It is destined to be a classic, a real jewel in a sea of mediocrity.

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