Kamis, 17 Februari 2011

[M645.Ebook] Free PDF Art and Architecture in Italy 1600-1750, Vol. 2: High Baroque (Yale University Press Pelican History of Art), by Rudolf Wittkower

Free PDF Art and Architecture in Italy 1600-1750, Vol. 2: High Baroque (Yale University Press Pelican History of Art), by Rudolf Wittkower

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Art and Architecture in Italy 1600-1750, Vol. 2: High Baroque (Yale University Press Pelican History of Art), by Rudolf Wittkower

Art and Architecture in Italy 1600-1750, Vol. 2: High Baroque (Yale University Press Pelican History of Art), by Rudolf Wittkower



Art and Architecture in Italy 1600-1750, Vol. 2: High Baroque (Yale University Press Pelican History of Art), by Rudolf Wittkower

Free PDF Art and Architecture in Italy 1600-1750, Vol. 2: High Baroque (Yale University Press Pelican History of Art), by Rudolf Wittkower

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Art and Architecture in Italy 1600-1750, Vol. 2: High Baroque (Yale University Press Pelican History of Art), by Rudolf Wittkower

A second book in the three volume survey of Italian Baroque art and architecture which focuses on the arts in every centre between Venice and Sicily in the early, high, and late Baroque periods.

  • Sales Rank: #741147 in Books
  • Published on: 1999-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.23" h x .61" w x 8.51" l, 2.00 pounds
  • Binding: Paperback
  • 208 pages

About the Author
Rudolf Wittkower was born in Berlin in 1901. Leaving Germany when the Nazis came to power, he was one of the animators of the Warburg Institute of London. In 1941 he organized, with Fritz Saxl, the exhibition British Art and the Mediterranean, the publication of which (1948) forms an important document of the aims and methods of the Warburg Institute. A great scholar of Italian Renaissance and Baroque art, Wittkower taught at both the University of London and Columbia University. His books, all important works of scholarship, include Die Zeichnungen des Gian Lorenzo Bernini (with H. Bruer, 1931), The Drawings of the Carracci at Windsor Castle (1952), Gian Lorenzo Bernini, the Sculptor of Roman Baroque (1955), Art and Architecture in Italy, 1600-1750 (1958), Born under Saturn (with Margot Wittkower, 1963), and Divine Michelangelo: The Florentine Academy's Homage on His Death in 1564 (with Margot Wittkower, 1964). In addition, he was a frequent contributor to the Journal of the Warbung and Courtauld Institute, the Art Bulletin, Burlington Magazine and the Journal of the Society of Architectural Historians, among others.

Montagu was for many years the curator of the Photographic collection at the Warburg Institute, University of London.

Joseph Connors, Professor of History of Art and Architecture at Harvard University, was Director of Villa I Tatti from 2002 to 2010.

Pinto is Howard Crosby Butler Memorial Professor, department of art history and archaeology, Princeton University.

Most helpful customer reviews

7 of 18 people found the following review helpful.
A terrific introduction toItalian Art
By A Customer
This is one of the most intelligent book I've ever read about art. It's simple, complete, full of original point-of-views. In asingle word: you can't miss it if you like the Art History!

0 of 0 people found the following review helpful.
Baroque Art History comes alive
By Art Historian
Wittkower is a powerful art historian and skilled and scholarly writer. This book has been very instrumental in my art history training.

See all 2 customer reviews...

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